Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (Asia Pacific)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (Asia Pacific)
‘I felt my soul leave my body’ : 13 readers on the worst meal they ever cooked – from ‘ethanol risotto’ to gravy cake
19/10/2025
Developers encroach on 2,000-year-old Devon wetland citing ‘blockages’ to Labour’s housing plans
19/10/2025
‘I don’t really have sex to music, it’s a bit Tom Cruise’ : Miles Kane’s honest playlist
19/10/2025
‘The wire began to smoke’ : how to avoid counterfeit scams on Vinted and other resale sites
19/10/2025
We cycled 2,000 miles from Cornwall to Portugal – with surfboards in tow
19/10/2025
‘Why are our black boys hurting each other ?’ Letitia Wright on the deaths that inspired her directorial debut
19/10/2025