Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)

19 octobre 2025 | Lyndsey Winship
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
 Site référencé:  The Guardian (Middle East)

The Guardian (Middle East) 

Bill Nighy is the agony uncle you never knew you needed : best podcasts of the week
20/10/2025
A-level English, voluntary work, delayed citizenship : it’s Labour’s Orwellian Two Minutes Hate for immigrants | Nesrine Malik
20/10/2025
Karan Gokani’s sweet treats for Diwali – recipes
20/10/2025
‘Everyone seems to be on Zimmers’ : after 70 years of hip-shaking thrills, is rock’n’roll dead ?
20/10/2025
The Beijing courier who went viral : how Hu Anyan wrote about delivering parcels – and became a bestseller
20/10/2025
King Gizzard’s Stu Mackenzie on leaving Spotify and making all their music free : ‘Sometimes you just forget that you have free will’
19/10/2025