Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (Middle East)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (Middle East)
Karan Gokani’s sweet treats for Diwali – recipes
20/10/2025
‘Everyone seems to be on Zimmers’ : after 70 years of hip-shaking thrills, is rock’n’roll dead ?
20/10/2025
Don’t cut London’s affordable housing quotas, Labour MPs urge ministers and mayor
20/10/2025
‘You can learn a lot by losing’ : meet Don Manuel, the 104-year-old chess player
20/10/2025
In Gaza, and now Ukraine, Donald Trump may be peace activists' greatest ally. That deserves our backing | Simon Jenkins
20/10/2025
The Beijing courier who went viral : how Hu Anyan wrote about delivering parcels – and became a bestseller
20/10/2025